ARTICLES & ESSAYS
“Alexander Pope, Interventionist Editing, and The Taming of the Shrew (1725).” In Canonising Shakespeare: Stationers and the Book Trade, 1640-1740. Ed. Emma Depledge and Peter Kirwan. Cambridge University Press. October 2017.
“‘To move the spirits of the beholder to admiration’: Lively Passionate Performance on the Early Modern Stage.” Literature Compass 14.2 (2017): 1-12.
In Progress
“Bosola, the Abused Tool Villain in The Duchess of Malfi”
“‘Doublet and hose ought to show itself courageous to petticoat’: Transformative Disguise in Shakespeare’s Comedies”